The prayformance of Thoth & Lila’Angelique is a truly unique experience. The two (together calling themselves Tribal Baroque) prayform every Wednesday-Sunday (weather permitting) in Central Park’s Angel Tunnel in New York from 3-5 PM. Thoth first showed up on my radar eleven years ago when I recall reading an interview with him around the time when a documentary about his life, Thoth won an Academy Award. Since then, I’ve accidentally stumbled into the audience of his (and Lila’s) prayformances three times, and been blown away each time. I was able to interview both of them over the phone yesterday.
What do you guys do on your days off from performing?
Lila’Angelique: We usually do all the things that we can’t do when we’re performing. We do our laundry. We rest. We work on things. Thoth works on Photoshop a lot.
Thoth: On our days off we get ready for our prayformance. We prepare our costumes. We do a lot of study and quiet time. Some times we treat ourselves to a nice meal (laughter).
Do you go out for food or do you cook yourself?
T: We cook our food most of the week, but on our days off we save money to go out, and have a nice romantic meal. We’re going to have a treat tomorrow. We also buy things that get us through the week. [Before our prayformances], we have smoothies so that we can sustain our energy throughout the day. We don’t eat anything…
Really? All day long?
T: Yeah, all day.
So just one smoothie gets you through the day?
T: Yes…. And also, the world is so… You learn to eat too much. And the reason you do is because everyone is selling food and they’re advertising really hard to people, so you have three meals a day, but you can [survive on just] a little snack. We have our snack bars right after the prayformance, and then we have a meal of whatever we feel like later. Usually [something] simple when we’re doing the prayformance five days [out of the week].
I was going to ask about your prayformance. I watched the documentary about you last night, and I know that at the time you were doing a solopera, which was all about this mythology and about a hermaphrodite. Correct?
T: I still do that.
Is there new material though that you’re working on now?
T: The new material is ours.
L: Yeah, we’ve created new material. Together we don’t do the solopera. He does the solopera every day, but we’re creating our opera.
And what’s your opera about?
L: Love and devotion.
T: They’re more miniature and more individual. They’re more thematic, whereas The Herma [his solopera] was more various chapters of an epic.
Is it still in the same world as your solopera though? Festad [Festad is the mythological world that Thoth invented]?
T: No. I can’t say it’s the same world because Festad is mythic, and we’re dealing with love and devotion and the paradigm of the movement to being.
What about the language, because I know you invented your own language. What is the language you are using now?
T: We’re still using invented language.
So, how complex is this language? Does it have its own grammar?
T: My language has its own grammar, but what we do together is a little more simpler, more improvised.
L: His has 252 characters. We’re basically starting from the ground up again together. He built his own language and his own opera, and we’re building our own opera and our own language. His whole thing was his personal thing. He’s my teacher and he’s teaching me all the things that he learned, but now we’re building up our own thing. And we’re making an opera about how we met each other and how our lives have been. And that’s very epic too.
Can you tell me at all about that? How you met?
L: I met him in New York in the Angel Tunnel in 2008. I saw him a few times. I saw him on America’s Got Talent just in passing, and I saw him in the Tunnel and I didn’t think much of him at first. And then I saw him again, and I was really just head over heels in love basically from the moment I heard him sing, and I ran up to him, and, “Oh my God, you’re a counter tenor!” And he was really impressed that I knew that word, and I started dancing with him, and then I started singing with him. And after that winter, we teamed up and started playing together, and have been ever since.
So are you a trained opera singer?
L: Yeah. I studied to be an opera singer. That’s what I wanted to do. And then I met Thoth and realized he was making his own opera. And I found that more interesting than what I was doing singing old dead peoples’ music. That we could create our own music—I really liked that idea.
Read the rest of the interview after the jump